The Ghent Altarpiece – Art & Crime
Now that its snowing in New England, I’m staring to think about a potential European vacation next year. I’ve become fascinated by one massive piece and somehow have got to get to Belgium. This fall I read Noah Charney’s Stealing the Mystic Lamb which describes the exciting life of the most stolen work of art ever – The Ghent Altarpiece. A captivating artwork and a suspenseful story, the book made me want to study the painting in its home cathedral.
Jan van Ekye’s 1432AD masterwork comprised of 24 panels is known for its luminous, naturalistic and detailed images. The book begins with an analysis of the extraordinary iconography. The altarpiece was designed with two massive doors showing the Annunciation, Saints, Prophets and its two patrons in prayer. When opened on Easter and feast days, you can see a glorious scene of God enthroned, angels, Adam, Eve and a procession of holy men and women visiting the altar of a holy sacrificial lamb. For a time period in which religious imagery and symbolism was fairly straight-forward, van Eyke pulls from some interesting theology to create the namesake Mystic Lamb panel and others. For example, the central royal figure is God but he is depicted with attributes more frequently associated with Jesus (two finger blessing, flanked by Mary and John the Baptist, youthful appearance), thus blurring the line between these two entities of the Trinity.
The historical discussion of the painting and its commission is disappointingly short because very little information survives. I did at least enjoy the discussion of Hubert van Eyke, Jan’s brother, who is believed to have started the piece and left it to his brother Jan to finish on his death. Hubert’s overall contributions in the painting, planning or preparations of the altarpiece are still under debate.
In the early 20th century, two panels were stolen. The description of the events surrounding the theft read like a real life Dan Brown novel! A crime which has never been solved, the tale is filled with conspiracy, weird ransom notes, unusual inconsistencies in the evidence, financial scandal, railway luggage tags, poor police work and of course, Nazi’s. Ultimately, the panel of the Righteous Judges has never been found; some believe it is still hidden in the church while others believe that the replica panel created by a local art conservator simply covers the original panel.
The Ghent altarpiece was stolen during World War II and hunted down by the allied “Monument Men”. The chapter describing this process begins slowly with a lengthy description of international governmental organizations set up to protect art. The story then proceeds too quickly to several, barely connected rescue teams with a large confusing cast of characters.
In order to understand how the altarpiece became a victim of war, Noah Charney includes a length but very fascinating history of museums. The narrative traces the evolution of art as booty following a conquest, to the status of art as sacred national or cultural objects worth fighting for. Surprisingly, the display of plundered art by Napoleon directly led to the establishment of the Louvre. The practice continued to World War II in which Hitler had a list of target art destined for either his own use or repatriation back to Germany. The ruthlessness and organization of the Nazi art hunters is a chilling section for anyone who loves art.
I may not need to go to Belgium next year after all. I can “see” the Ghent Altarpiece anytime thanks to a massive digitization project. The Getty Foundation sponsored Closer to Van Eyke: Rediscovering the Ghent Altarpiece which produced high quality photography and scientific analysis of the panels following cleaning and restoration. All of these images are available free online. Given that the priceless artwork is shielded in a protective case, you may actually be able to see the brushwork better online than in person. At the very least, read the book and decide for yourself how long you want to spend visually traversing this masterpiece online or on an airplane to see it in person!
(Some detail images of the Ghent Altarpiece used herein come from the Closer to Van Eyke: Rediscovering the Ghent Altarpiece project and are reproduced for educational purposes.)
***UPDATE: I finally got to see the Ghent Altarpiece in person! Read about it here.***
This was fascinating! I’m going to have to pick up that book and learn more. I also want to explore the Closer to Van Eyk digitial images. Have you looked at the Google Art Project? It’s amazing! It also has digital images of hundreds, if not thousands, of works of art.
I definitely recommend the book; hope you like it!
I’ve seen the Google Art Project. It’s a great concept and I hope it grows.
PS: Did you go to Belgium on your recent European tour?
No, I wish! I’ll have to visit it another time, though. I keep seeing such beautiful photos from there.
It’s never too early to think about your next trip 😉 That being said, I’m enjoying your photos and adventures from this Fall!
Thank you so much! I saw the altarpiece in 2006. It is nothing short of mystical as it stands there behind glass.
Thanks and that’s awesome to hear! I will definitely try to make it to Ghent then 🙂
Reblogged this on Art History Ramblings.
I’ve been to Ghent some time ago and I was lucky enough to see this masterpiece completly alone (security apart). The experience was sublime, awesome, unforgettable … up to the moment a big group of noisy tourists arrived and the magic almost dissapeared. The secret: travelling alone and waking up early. But take into account that the altarpiece is being restored these days …
Sounds like quite an amazing experience! Thanks for the tips too. Nothing ruins a beautiful church like a bus load of noisy tourists.
I’ve been looking at the Ghent altarpiece (in ultra-high quality reproductions admittedly ) and thinking about it quite a lot recently as it happens. I had it on my large computer screen, as desk-saver for a couple of months but had to replace it, as it is too time-consumingly and distractingly beautiful. It’s an absurd and invidious exercise, but if i had to choose one piece of art from all the other artistic marvels in the world, this would probably be it. It stands alone, and there is nothing else quite like it. A work of untouchable genius. Iridescent and, quite literally, astonishing.
Thanks Arran, the Ghent altarpiece is a historic masterwork and you’ve described it so eloquently!
I also appreciate the warning about not keeping the image on one’s desktop so that it doesn’t become a daily distraction 🙂
A beautful Eve, I hadn’t seen her before. thankyou for that. we sometimes forget that for the people of 1432 these images were not just religion – they were history.