The monthly ArtSmart Roundtable brings together some of the best art-focused travel blogs to post on a common theme. This month we are discussing Concepts in Art! Take a look at all the creative interpretations of his topic at the bottom of the page.
Art museums are sometimes criticized for being stale and distant. Mill about, look at the pieces, and under no circumstances do you touch the art! Paintings haven’t always received this degree of reverence. While today we analyze the artist’s intent and interpret the underlying meaning of the work, for centuries paintings we just decorations. Owners could change something as easily as we repaint a bookcase or substitute a bathroom light fixture. So today I want to think about the concept of “finished” art and what it means when paintings are changed by people other than the original artist.
(left) “A Dominican, with the Attributes of Saint Peter Martyr” by Giovanni Bellini and (right) a digitally created image based on scientific data illustrating what the original Bellini painting would have looked like. Later alterations transformed the naturalistic portrait into a devotional religious painting. National Gallery, UK (Images)
To enter the Scrovegni Chapel, you have to spend 15 minutes in a “environmental equilibration” chamber and video introduction before passing through two air locks into the chapel. Shockingly, visitors only get another 15 minutes to look around before being rushed out by security. However, if you are a clever art pilgrim (like yours truly) and book multiple back-to-back tickets, the museum escort chases everyone else out but leaves you alone for a few glorious minutes within the chapel.
Standing at the altar looking down the rows of painted vignettes, the rich pastel colors glowing warmly from the morning sunlight, has got to be one of the most profoundly beautiful art experience I have ever had. To say I loved the Scrovegni Chapel would be an understatement.
Photo of Giotto’s masterpiece, the Scrovegni Chapel in Padua (Photo: Art Bouillon)
The monthly ArtSmart Roundtable brings together some of the best art-focused travel blogs to post on a common theme. This month we are finding Art that Inspires from our travels. Check out all the stories below!
Contemplating a Pollock at (Photo: Pete Aylward, Flickr)
Art by itself is empty; it requires an audience to react, contemplate and interpret it for themselves. It is the skill of the artist that turns pigments on a board and chipped away marble into something that can elicit emotion or opinion from viewers. Every art connoisseur is different, so it is very common for us each to like different styles or pieces. I certainly have my favorites and not-so-favorites. This month the ArtSmart Roundtable is looking at “Inspiring Art” so I thought I’d take a look at not just art that is beautiful or emotional, but art that simply astounds me.
The monthly ArtSmart Roundtable brings together some of the best art-focused travel blogs to post on a common theme. This month we picked an abstract topic – Light. Check out all the creative stories below!
I timed my last international trip perfectly. My entire 12 hour lay-over in Amsterdam would be devoted to seeing the newly renovated Rijksmuseum. It was definitely worth powering through the jet-lag to visit this incredible collection in its elegant new galleries!
Johannes Vermeer, “Woman Reading a Letter”, 1664, Rijksmuseum, Amsterdam
While looking at the Dutch masterpieces in the main gallery including Vermeer’s Woman Reading a Letter, Mr. Tourist asked innocently, “So why are Vermeer’s paintings so famous?”
Without even hesitating I answered, “It’s how he painted light.”
El Greco (Domenikos Theotokopoulos) – “Saint Martin and the Beggar”, National Gallery of Art, Washington, DC (Photo)
This last Saturday, the National Gallery of Art, along with SPAIN art & culture, held a small symposium on the Renaissance/Mannerist artist Doménikos Theotokópoulos in honor of the 400th anniversary of this death. Better known as El Greco (the Greek), this Cretan painter stands out in Spanish art history for his unique, almost otherworldly compositions, bold use of color and fluid brushwork. Analysis of some recently rediscovered paintings was presented at the conference and helps shed some light on how the artist worked.