Miracles and Russian Icon Copying “Errors”
Take a good look at the icon below (without reading its name).
The Museum of Fine Arts in Boston is hosting an interesting conservation project. An impressive Trajanic or Hadrianic Period (early second century A.D.) statue of Juno was moved into the George D. and Margo Behrakis Gallery of ancient art this week. Given its massive size of 13ft and 13,000 lbs, conservator will be examining, cleaning and repairing the work in situ. Recently donated to the Museum of Fine Arts, the statue has spent the last 100 years in an estate garden just outside of Boston. The resulting wind, snow, freeze-thaw, biological and vandal damage has taken a toll on the piece. The Museum is raising money to support the conservation. You can learn more about this on-going project at the MFA’s website.
I’m particularly interested in the analysis of the head. It is clear that it was reattached at one or more times in the piece’s history; however, it also seems that the head and body are not the same marble and may have been united at a later time. Given that little historical information exists about the piece prior to the 17th century, curators and conservators will have to rely on scientific analysis to understand the past of this statue.
The new Crystal Bridge Museum of American Art, assembled and funded by Walmart heiress Alice Walton, opens today in Bentonville, Arkansas. NPR Weekend Edition covered some of the controversy (or in my opinion, non-controversy) regarding the acquisition of art pieces from non-museum public and private institutions like universities and libraries. While listening, I went browsing through the collection on-line. I immediately recognized something on the main page of the 19th Century gallery:
That little girl with her dog was sold at Skinners Inc in Boston at the March 7, 2010 American Furniture & Decorative Arts auction! With an auction estimate of $8-12,000, she sold for $41,475 (despite her pouty scowl).
News coverage of the museum’s opening has noted the supposed difficulty of finding quality American art pieces with which to create a new museum. I think the above example clearly illustrates that there are beautiful pieces still in family or private collections that have not made it into museums. I can only imagine that there was an army of art historians and curators sweeping the country looking for these undervalued pieces in American museums, commercial galleries and auctions. Likewise, university, library or hospital collections may not attract the visitor the art deserves and so I see no problem with works being sold so that the funds can go toward the primary missions of the institutions.
I’m not sure when I’ll be in Arkansas but at least the highlights are online.
Oct 12

The Artist inspecting his work (Photo: EPA/ALFREDO ALDAI)
Bilbao – Spanish artist Antonio Lopez looks at his work of art Man and Woman, consisting of two sculptures in polychrome wood, during the presentation of an exhibition dedicated to him at the Fine Arts Museum in Bilbao, Spain, 10 October 2011. The exhibition runs from 10 October 2011 to 22 January 2012. EPA/ALFREDO ALDAI. Story and photo from Artdaily.com
At first I didn’t realize this was the artist inspecting his work. I like the photo much more when I imagine the old man to be a somewhat intimidated museum-goer.