Jun 3
The monthly ArtSmart Roundtable brings together some of the best art-focused travel blogs who all post on a common theme. This month we are discussing great paintings! Below are links to the rest of the group’s posts this month. I’m curious to see what everyone picked!
John Everett Millais, “Ophelia”, 1851-1852, Tate Gallery, London
Some people travel to new countries to expand the percentage of the world they’ve seen. Some less adventurous but equally ambitious travelers try to visit all 50 US States, all the Major League baseball parks or some other coherent list of places. Personally, I travel to see art. Jan van Eyck’s Ghent Altarpiece was high on my “To Do List”. Sadly, efforts to protect and preserve the work really interfered with my enjoyment of the painting, making this art pilgrimage a little disappointing.
My favorite panels are the three mystic figures in the upper central section of the altarpiece – Mary, God the Father/Jesus, and St. John the Baptist (shown). (Photo: Wikicommons)
You know the cliché about the incredible man or woman who turns heads as they enter the room? Somehow they have a power, beauty or shear presence that cannot be ignored. That’s essentially my experience seeing Jan van Eyck’s The Madonna and Child with Canon van der Paele at the Groeningemuseum in Bruges. As many times as I left the gallery and walked back in, I couldn’t escape it. The painting glowed with a brilliant depth of color and mesmerizing realism. It was a window into some heavenly scene surrounded by dull and simple paintings – which is particularly impressive considering the gallery was filled with works by Hans Memling and even a few small van Eyck’s! This painting is simply a masterpiece.
Jan van Eyck – “The Madonna and Child with Canon van der Paele”
It wasn’t until I visited Greece a few years ago that I really got a good look at live olive trees. Despite being an agricultural powerhouse, the trunk of the olive tree is twisted and deeply etched. The foliage is expansive but not dense. In the shade, the bark and leaves appear to have grey-blue undertones. These are visually interesting, complex and very hardy looking trees. With a new found appreciation for these Mediterranean wonders, a huge light-bulb went off at the (abridged) Van Gogh Museum in Amsterdam. The olive tree was possibly the best subject in the natural world for Vincent van Gogh and has resulted in some of my new favorite paintings in this catalog.
The monthly ArtSmart Roundtable brings together some of the best art history-focused travel blogs with a post on a common theme. For March we are discussing Art Worth Traveling For. You can find links below to all the group’s amazing destinations this month. We also want to welcome the Roundtable’s newest member, Murissa from The Wanderfull Traveler!
I love medieval art and architecture. In the back of my mind, I have the perfect medieval art itinerary planned: starting among the great Cathedrals of France, I move south through the Pyrenees into Spain and enjoy all the pilgrimage churches along the Camino de Santiago de Compostela. Someday I’ll do all of this! But in the meantime, for an infusion of Medieval art without leaving the US, I have to recommend a visit to the hauntingly beautiful Cloisters Museum in New York City. Going far beyond the normal concept of a museum, the Cloisters recreates the atmosphere of a medieval monastery by literally transporting parts from Europe and reconstructing them in Northern Manhattan.
The Cloister from Saint-Michel-de-Cuxa, (ca. 1130–40) as can be viewed at the Cloisters Museum in New York City. This structure is Catalan in style but is from present day France. (Photo: The Cloisters Collection)
Daydream Tourist 
