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Posts tagged ‘art’

Photo of the Week – Lost in Italy

Seminarians in Siena (Photo: Daydream Tourist)

This is a picture from my 2005 trip to Italy.  In Siena, we came across two seminarians in black cassocks trying to read a map.  They were so perfectly framed by the medieval street.  I keep coming back to this image as one of my favorite from the trip.  Besides taking the photo quickly while their backs were turned, my friends and I chatted with these guys and gave them directions.  Turns out they were actually from Minnesota.  They and some other classmates were exploring Tuscany before heading to Rome for theological studies.

Statue Conservation in Action at the MFA Boston

Roman Juno statue

Juno in her former home, a suburban Boston estate garden (Photo: MFA)

The Museum of Fine Arts in Boston is hosting an interesting conservation project.  An impressive Trajanic or Hadrianic Period (early second century A.D.) statue of Juno was moved into the George D. and Margo Behrakis Gallery of ancient art this week.  Given its massive size of 13ft and 13,000 lbs, conservator will be examining, cleaning and repairing the work in situ.  Recently donated to the Museum of Fine Arts, the statue has spent the last 100 years in an estate garden just outside of Boston.  The resulting wind, snow, freeze-thaw, biological and vandal damage has taken a toll on the piece.  The Museum is raising money to support the conservation.  You can learn more about this on-going project at the MFA’s website.

I’m particularly interested in the analysis of the head.  It is clear that it was reattached at one or more times in the piece’s history; however, it also seems that the head and body are not the same marble and may have been united at a later time.  Given that little historical information exists about the piece prior to the 17th century, curators and conservators will have to rely on scientific analysis to understand the past of this statue.

Juno's head was removed to protect it during transport (Photo: MFA, Boston)

Layers of plaster and glue illustrate past repairs to the neck of Juno. (Photo: MFA, Boston)

roman statue repair with iron pin

Close up of the iron pin holding the right arm in place. (Photo: MFA, Boston)

Happy St. Patrick’s Day Book of Kells

Google has the best logo today to celebrate St. Patrick’s Day 2012.  It’s based on the Book of Kells which you can see in Dublin at Trinity College Library.  The four gospel volume was created by Irish monks around 800 AD.  It is richly decorated and draws from traditional Hibernian Gothic design elements.  The text and its excellent exhibit at Trinity College is definitely one of the top things to see in Dublin!

Book of Kells, Folio 291v contains a portrait of John the Evangelist (Wikipedia)

Book of Kells, Folio 7v contains an image of the Virgin and Child. This is the oldest extant image of the Virgin Mary in a Western manuscript (Wikipedia)

Book of Kells, Folio 34r contains the Chi Rho monogram. "Chi" and "Rho" are the first two letters of the word Christ in Greek.

“The Discourse” Up Close

So what is this painting that inspired the Friedrch Wahle Project? Let me described “The Discourse” for you and hopefully you’ll understand why I want to know more about it.

The parlor setting suggests importance with its sparkling chandeliers, large vase, fine furniture and tall windows.  I’m imagining a palace in which this is some elegant anti-chamber.  The younger man’s high collar, mustache, tail-coat and shiny shoes seem very fashionable and certainly trendier than his companion’s clothes.  I’m struck by how formal and erect the younger man is sitting.  The way he holds his papers like a shield in his lap seems defensive.  The old man is rumbled and slouching.  His face is weary but concerned.  The older man leads in toward the other man but leaves his left hand in his pocket rather than gesture as if lecturing the younger man.

I see these two men as political insiders waiting for an audience with a Duke or Emperor.  The younger man is mid-career and rising, duty-bound, loyal and a strict believer in protocol.  Perhaps aspiring to become part of the inner circle, he’s working to make himself indispensable to the Duke and maybe has the details to some special project in his folio. On the other hand, the older man has a long history in the court.  He was maybe even an adviser to the Duke’s father and is there to ask another favor using his long years of service as collateral.  He understands restraint, compassion and compromise.  Maybe they’ve never met before, but he knows of the younger man and is trying gently to offer some advice.  Clearly the younger man is not having any of this.  This delicate tension is very fascinating to me.  What does the experienced man say to the assured, determined man? What happens when the Duke’s attendant brings one of them in and the two story-lines diverge?  I can’t look at his painting without imagining some other way their conversation may have played out.

Aside from the narrative elements of the painting, it is well executed.  The time period in which Wahle worked (broadly 1883-1927) saw the rise and heights of Impressionists which I can see influenced this piece.  There is still an incredible amount of detail and realism in the old man’s face which balances out the broad strokes of flooring that give way to blank art board around the signature.  If this was an illustration and therefore printed in black and white, the blue-gray canvas makes sense.  It also means the beautiful dab of red on the old man’s label was bit of whimsy on Wahle’s part.  (I guess it’s also just as likely that the red was added later but that’s going to be very hard to prove either way.)  The overall color of the piece does seem a little drab and yellowed; at some point I will look into having the painting cleaned.

The frame appears to be period to the painting; it is not however in good condition.  There are a couple of chips to two of the decorative elements and the bottom corners appear to be partially rebuilt with some type of painted putty.  I can’t imagine that the damage was recent because the painting (oil on artist’s board) is nailed into the frame and has the tale-tail oxidation of time.  Paper clearly covered the back of the frame but its been cut off a long time ago.  There is no writing on the back of the painting beside the London based board manufacturer’s watermark.

Chipped frame element that was not filled in

About half of this decorative element seems to have been patch and reformed but its not a perfect repair job

I know very little about the provenance of the painting.  It was consigned to auction from an estate sale.  The consigner seemed to think that it was once sold at Sotheby’s or Christie’s although there are no labels on the back of the paint to suggest this.  (And of course naming the big international auction houses makes a work seem more valuable if you’re trying to sell it.)  I can make some estimate on the painting’s date based on the men’s clothes.  I think the younger man’s high collar was popular around 1890-1910 but I could look into that some more.  The older man’s mutton chops are definitely not much help.

Photo of the Week – Art in the Favela

Beleza (Beauty) written in a San Paulo favela alley (Photo: EPA/SEBASTIAO MOREIRA)

SAO PAULO.- The Portuguese word Beleza (Beauty) written in large white letters on blue walls in an alley in the Brasilandia neighborhood of Sao Paulo, Brazil, 06 March 2012. The graffiti and painted walls are part of an art project by five Spanish artists, entitled Luz nas Vielas (lit. Light in the alleys), which was realized with the inhabitants of Brasilandia, one of the favelas in Sao Paulo. Photo: Sebastiao Moreira/EPA.

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