Miracles and Russian Icon Copying “Errors”
Take a good look at the icon below (without reading its name).
The Museum of Fine Arts in Boston is hosting an interesting conservation project. An impressive Trajanic or Hadrianic Period (early second century A.D.) statue of Juno was moved into the George D. and Margo Behrakis Gallery of ancient art this week. Given its massive size of 13ft and 13,000 lbs, conservator will be examining, cleaning and repairing the work in situ. Recently donated to the Museum of Fine Arts, the statue has spent the last 100 years in an estate garden just outside of Boston. The resulting wind, snow, freeze-thaw, biological and vandal damage has taken a toll on the piece. The Museum is raising money to support the conservation. You can learn more about this on-going project at the MFA’s website.
I’m particularly interested in the analysis of the head. It is clear that it was reattached at one or more times in the piece’s history; however, it also seems that the head and body are not the same marble and may have been united at a later time. Given that little historical information exists about the piece prior to the 17th century, curators and conservators will have to rely on scientific analysis to understand the past of this statue.

Jaume Plensa’s “The Alchemist” at MIT (Photo: DaydreamTourist)
Many modern artists find themselves returning to familiar themes for continued exploration. Catalan artist Jaume Plensa has created a catalog of large curved metal sculptures shaped into contemplative figures. I find something other-worldly about these figures, especially those made of letters, as if this were some futuristic totem waiting for us to decode them.